Instead of forcing my brain to create a lackluster and possibly unconvincing beat sheet, I took my solution straight from the pages of the Player’s Handbook (Fifth Edition) and made all characters involved “roll for it.”
Read MoreStop Being Your Own Bottleneck: How to Break Free of Perfectionism and Send Out Your Work
We’ve all been there. We ask ourselves, and our writing mentors, “How do I know when the work is done?” We agonize over all this and hate ourselves for it. We know that we need to find a way to accept that “pretty good and done” is better than “perfect and never done,” but we just can’t seem to snap ourselves out of our perfectionist tendencies.
This post helps to break the cycle.
Read MoreCopycatting: Two Exercises to Identify and Hone Your Narrative Voice
We come to writing from all points on the compass. Some of us have been obsessed with stories since before we could read; others love films and TV shows more than books; some couldn’t care less about writing until they find their own story to tell.
Regardless of how we get to the point of calling ourselves writers, one of the shared elements of our journey up that mountain will be finding our individual narrative voices.
Read More4 Ways to Be More Creatively Productive at Your Writing Desk
I want to begin by asserting that it is not absolutely necessary that every writing session be focused on cranking out new words. There’s something to be said for creative play. Some of the greatest melodies of the twentieth century came from talented musicians noodling around on their guitars for an afternoon! However, if you’re up against a deadline or you’ve had several writing sessions in a row that you could call a wash, here are four ways you might be able to bribe yourself into creative focus and productivity.
Read MoreAsk the Editor: "Help! I have too many book ideas!"
Do you have too many book ideas and too little focus? How will you ever complete one project if these shiny, new concepts get in the way?
In this blog post, explore the pros and cons of being a multi-concept writer and learn four ways to work around this “good problem to have.”
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