Many literary agents and other publishing gatekeepers ask for a one-page novel synopsis, but how do you write one? And, more importantly, how do you chisel it down to one freakin’ page?
Breathe in. Breathe out. We’ve got you covered.
Read MoreFour Resources for Authors Aspiring to Trade Publication
The same manuscript can sometimes get different feedback when it’s presented from the place of face time and mentorship rather than from the slush pile. So, without further ado, here are several resources meant to give you a leg up over your competition: two for those who are reaching the end of their inbox-based querying tether and two for those who might need basic querying assistance.
Read MorePublishing, Both Trade and Indie: An Interview with Award-Winning Author Amanda Radley
I am often asked how writers make the transition from indie publishing to trade publishing, and who better to answer these questions than someone who’s made the leap herself? I asked award-winning, bestselling author Amanda Radley to answer a few questions about her career journey, and she was gracious enough to do so. You may find our conversation and her insightful answers below.
Read MoreCrafting a Tight, Compelling Memoir from Page One
This contrast between the broad strokes of an autobiography and the deep dive of a memoir is something that writers new to creative nonfiction struggle with. That said, I feel that it is an important difference to master in order to write a successful memoir.
Read MoreThe Top 5 Editorial Mistakes I’ve Seen… and How to Fix Them, Part 5.
This final Editorial Mistake concerns errors that happen on a line-by-line and sentence-by-sentence basis.
This is line editing, which typically has a localized impact, if any, on the reader's experience. However, when copyediting errors are abundant in a manuscript, it can keep the reader from investing interest in the story at hand.
Read More